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Writer

  • Hours

    Variable

  • Starting salary

    Variable

If you've got excellent writing skills, and have the strong motivation and discipline needed to make it in this career, there could be opportunities for you as a writer.

Writers produce a variety of types of creative work, including novels, short stories, children’s books, plays and poetry. They also write feature articles for newspapers and magazines, non-fiction work, such as biographies or educational books, and material for digital media, radio, television and film.

To become a writer you will also need to be comfortable working alone, able to accept criticism and able to meet deadlines. You will need to come up with ideas that sell well and write in a style that suits your audience. You may also need specialist knowledge, depending on the type of writing. It can be an advantage in some types of writing if you have experience in journalism.


The work

As a writer you would:

  • choose your subject based on personal interest or on a commission given by agents or publishers
  • come up with themes, ideas or plots
  • research information using the internet, libraries and personal interviews
  • submit your draft to a publisher, either unsolicited or through an agent
  • revise your work (sometimes several times) if necessary, after getting feedback
  • pursue publishing opportunities
  • develop an understanding of copyright law.

As an established writer, you might also attend book signings, readings and discussions of your work, or run writing workshops.

You may need to supplement your income with other work, as only a small percentage of writers make a living from writing.


Hours

You would work on a self employed, freelance basis and would choose your own working hours, although you may have to meet deadlines.


Income

Freelance writers either negotiate a set fee for each piece of work or royalties (a percentage of sales receipts, common in book publishing).

The Writers' Guild negotiates minimum rates for TV, radio, film and some theatre. See their website for details.

There are no collective agreements between writers and publishers as there are for broadcasters, producers and theatres, so the Writers' Guild does not negotiate rates of payment for book writers.


Entry requirements

To succeed as a writer, you will need to be able to come up with ideas that will sell, have good research skills and be able to express ideas in a style suited to your intended audience. You may also need specialist knowledge, depending on the type of writing. It can be an advantage in some types of writing if you have experience in journalism.

Books

Most publishers will only consider non-commissioned fiction if you submit it through an agent. You can find lists of agents and details of how to submit your work in The Writers' and Artists' Yearbook, which is published each year and should be available in your local reference library as well as in bookshops. More details are available on the Writers and Artists website.

For most other types of writing, you may find it easier to approach publishers directly. It is important that you research which publishers are likely to be interested in your work. You can find contact details for the major publishers and their main areas of interest in the two books mentioned above.

You will usually be expected to submit one or two sample chapters and an outline of the complete work. You are likely to have to wait several months for a reply, and need to be prepared for the possibility of rejection or not receiving a reply.

Visit these pages on the Creative Choices website for advice on developing your career as a writer:

Radio and Television

Visit the BBC Writersroom website for information on writing and submitting scripts for radio, TV and film.

Competition is strong for TV work, both for original commissions and for working on existing soaps and series. It will be useful if you have a track record in another area, for example, if you have had a radio or stage play performed. However, it can be difficult to get producers or broadcasters to look at your work if you do not have an agent. See The Writers' and Artists' Year Book for details of agents who will consider unsolicited material. See the Screenwriter profile for more details of this type of writing.


Training and development

You can develop your writing skills on a wide range of courses, from workshops to degree and postgraduate level. You can find out what is available by contacting your local college, university or adult education centre or by checking:

You can complete some courses by home study. You can also attend residential courses on all aspects of writing, with advice from experienced writers, through the Arvon Foundation in Inverness-shire, Shropshire, Devon and West Yorkshire. See the Arvon Foundation website for details.

Attending courses will help you to gain writing skills, but will not guarantee that you will be a successful writer, as talent and creativity cannot be taught. You might find it useful to join local writers' groups for support and feedback on your work. Your local library may have details of these, or you could contact your local regional Arts Council office (see the Arts Council England website for contact details) or use an internet search.

You can apply to join the Writers’ Guild of Great Britain (the trade union for published writers) at three levels – full, candidate and student. To find out more, visit the Guild's website.


Skills and knowledge

To become a writer, you should have:

  • writing skills
  • self discipline and motivation
  • perseverance and determination
  • willingness to work alone for long periods
  • the ability to accept criticism
  • excellent research skills
  • the ability to meet deadlines
  • IT skills
  • the ability to market and promote your work.

More information

National Association of Writers in Education (Opens new window)
www.nawe.co.uk

Poetry Society (Opens new window)
22 Betterton Street
London WC2H 9BX
Tel: 020 7420 9880
www.poetrysociety.org.uk

Writers' Guild of Great Britain (Opens new window)
49 Roseberry
Avenue London
EC1R 4RX
Tel: 020 7833 0777
www.writersguild.org.uk

Society of Authors (Opens new window)
84 Drayton Gardens London
SW10 9SB
Tel: 020 7373 6642
www.societyofauthors.org

Arvon Foundation Free World Centre (Opens new window)
60 Farringdon Road
London EC1R 3GA
Tel: 020 7324 2554
www.arvonfoundation.org

Arts Council England (Opens new window)
Tel: 0845 300 6200
www.artscouncil.org.uk

BBC Writers Room (Opens new window)
www.bbc.co.uk/writersroom

Booktrust (Opens new window)
Book House
45 East Hill London
SW18 2QZ
Tel: 020 8516 2978
www.booktrust.org.uk

Creative and Cultural Skills (Opens new window)
Lafone House
The Leathermarket
Weston Street
London
SE1 3HN
www.creative-choices.co.uk


Opportunities

You would work on a freelance, self-employed basis, taking responsibility for keeping accounts and filing your own tax returns.

When starting out it can be very difficult to get your work published, but once you have examples of published work to show to potential clients, it becomes easier to promote yourself and your writing. It helps if you have your own website where you can showcase samples of your work. You might want to consider self-publishing, either in traditional print format or through e-books. You might also be able to increase your earnings and promote your work by entering literary competitions.

Job profiles are based on the latest information supplied to us by industry bodies, such as Sector Skills Councils. Please be aware that with the introduction of the Qualifications and Credit Framework (Opens in a new window) there has been, and will continue to be, changes to vocational qualifications. For more information, please check with industry bodies directly.

We do not accept responsibility for the content of external sites.


Related industry information

Industry summary

The literature industry is part of the creative and cultural industries, represented by the Creative and Cultural Skills Sector Skills Council, which also includes: craft; cultural heritage; design; music; performing arts; and visual arts. The creative and cultural industries currently employ 678,480, people, of which 24% are based in London. There are 74,640 businesses in the creative and cultural industries, of which 87% employ less than 10 people.

The literature industry includes areas of work, such as: aspiring writers; novelists; poets; playwrights; editors; agents; translators; critics; and the literature development sector. The industry is relatively small and historically its activity has been funding‐driven, with many organisations dependent on core funding from public or charitable sources. Work is carried out by organisations employing low numbers of staff and a relatively high proportion of freelancers, or people employed on short‐term contracts.

Key facts:

  • There are 74,395 people working in the literature industry, of which:
    • 69% are authors and writers
    • 31% work in artistic and literary creation
  • Employment levels increased by 8% between 2004 and 2006.
  • There are 19,985 businesses, of which 95% employ less than 50 people.
  • 48% of the literature workforce is located in London and the South East.
  • The industry contributes £2.1 billion to the UK economy.
  • 65% of the literature workforce is self‐employed, 33% work part‐time.
  • There is little difference between the qualification levels of men and women.
  • Women are likely to earn less money than men (57% of the women earn less than £20,000 per year, compared to 43% of men).
  • 67% of those working in the industry have a level 4 or higher qualification. Jobs in the industry include: author, critic, editor, education staff (arts), promoter and writer.

National and regional data

Northern Ireland – There are 11,640 people working in the Northern Ireland creative and cultural sector. 2% of the UK literature workforce is located in Northern Ireland. Literature in Northern Ireland contributes £11 million to the UK economy. More than 99% of the literature workforce is white and 72% of the workforce is male. 70% of the literature workforce in Northern Ireland is self‐employed.

Scotland – There are 45,420 people working in the Scottish creative and cultural sector. 5% of the UK literature workforce is located in Scotland. Literature in Scotland contributes £52 million to the UK economy. 95% of the literature workforce is white and 46% of the workforce is male. 66% of the literature workforce in Scotland is self‐employed.

Wales – There are 24,060 people working in the Welsh creative and cultural sector. 3% of the UK literature workforce is located in Wales. Literature in Wales contributes £27 million to the UK economy. More than 99% of the workforce is white. 56% of the Welsh literature workforce is self‐employed.

[N.B. The data for the following regions are for the creative and cultural sector as a whole.]

East Midlands – There are 44,380 people in the sector workforce in the region, representing 7% of the UK sector workforce. There are 3,950 creative businesses in the region, of which 92% employ less than 50 people. 35% of the workforce is self-employed. 63% of the workforce is male. 95% of the sector workforce is white and 54% are under 40 years.

East of England – There are 63,700 people in the sector workforce in the region, representing 9% of the UK sector workforce. There are 6,710 creative businesses in the region, of which 93% employ less than 50 people. 37% of the workforce is self-employed. 66% of the workforce is male. 95% of the sector workforce is white and 46% are under 40 years.

London – There are 164,690 people in the sector workforce in London, representing 24% of the UK sector workforce. There are 21,600 creative businesses, of which 93% employ less than 50 people. 51% of the workforce is self-employed. 58% of the workforce is male. 84% of the sector workforce is white and 56% are under 40 years.

North East – There are 19,680 people in the sector workforce in the region, representing 3% of the UK sector workforce. There are 1,330 creative businesses in the region, of which 90% employ less than 50 people. 38% of the workforce is self-employed. 63% of the workforce is male. 96% of the sector workforce is white and 53% are under 40 years.

North West – There are 59,580 people in the sector workforce in the region, representing 9% of the UK sector workforce. There are 5,660 creative businesses in the region, of which 91% employ less than 50 people. 34% of the workforce is self-employed; the majority of who are in arts and music. 62% of the workforce is male. 95% of the sector workforce is white and 55% are under 40 years.

South East – There are 98,170 people in the sector workforce in the region, representing 14% of the UK sector workforce. There are 12,300 creative businesses in the region, of which 93% employ less than 50 people. 43% of the workforce is self-employed. 59% of the workforce is male. 97% of the sector workforce is white and 47% are under 40 years.

South West – There are 60,690 people in the sector workforce in the region, representing 9% of the UK sector workforce. There are approximately 5,000 creative businesses in the region, of which 93% employ less than 50 people. 47% of the workforce is self-employed in arts, design and music. 59% of the workforce is male. 98% of the sector workforce is white and 46% are under 40 years.

West Midlands – There are 40,300 people in the sector workforce in the region, representing 6% of the UK sector workforce. There are approximately 5,000 creative businesses in the region, of which 91% employ less than 50 people. 31% of the workforce is self-employed, which is the lowest regional figure. 58% of the workforce is male. 91% of the sector workforce is white and 49% are under 40 years.

Yorkshire and the Humber – There are 45,900 people in the sector workforce in the region, representing 7% of the UK sector workforce. There are fewer than 4,000 creative businesses in the region, of which 90% employ less than 50 people. 40% of the workforce is self-employed. 60% of the workforce is male. 97% of the sector workforce is white and 53% are under 40 years.


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